"Rattigan himself, however, said that his prime concern was “the illogicality of passion” and that comes across beautifully in McCrory’s performance. Left alone, she paces her room in moody silence. In the presence of Freddie, even after her aborted suicide, she becomes a different woman. McCrory’s features blaze like a city in illumination. I’ve seen many fine Hesters but few who have conveyed so clearly what Shakespeare called “the very wrath of love”. (Michael Billington)

滚石个个都像石头，也更像猴子

知道她已经杀人了 不问就好了 被警察抓住完美

仅就三个人的表演而言，难道不配得一个奥斯卡吗？当然，故事性几近于无，没有狗血没有互撕更没有奇情畸恋，主打的就是情感的细腻深远绵长。

原来巧克力是这么做出来的，《教父》是塞给Coppola的。还有蛮多疑问。