这大概是关于爱情与婚姻最好的剧。五集婚姻故事，五个人生节点，事实就是在人类最复杂的情感面前，谁都会不堪一击。无可奈何地试图理解，却又不堪折磨地一刀两断，耗尽激情的婚姻生活，在真实的绝望里成为捅向彼此的匕首，越小心翼翼，越无处施力；越坦诚相待，越痛彻心扉。那些因为心理防御机制而刻意抑制的痛苦，当初多喜欢也只是在来回拉扯的失衡中陷入恶性循环。太伤了，每看完一集都要缓好久好久。

美国那帮编剧只要涉及到zz，就真的挺恶心的。首先zz文化素养不够，其次下限很低。没文化的同时还很恶俗。这部片子也是。无脑黑苏联，最后不忘升华下只有美式民主才能救世界的主题。要多烂俗有多烂俗。尤其是，新冠事件里美国的“低人权优势”如此震撼我们，再回过头来看，美式民主更像个笑话了。不过，这片子的配乐确实很好听，纯粹的苏联味，庄严大气，恢弘磅礴，非常好听。

4.5; Never before have I seen a zombie film with so many layers. The symbolic meaning of the infection is announced from the very beginning through footage and words to be 'rage', and the violence induced by it henceforward becomes the centre of the film's criticism. But what adds to the film's complexity is the fact that the protagonist is empowered only by rage to fight for those he loves and defeat the purposeless soldiers, who by contrast fight for nothing but themselves. The film thus indicates a place for violence in humanity and hints that violence is not inherently the abject. It also draws a comparison between two archetypes of fatherhood: permissive & autocratic

编写得自然不露痕迹，有轻松幽默也有深刻的洞见，有神奇时刻。难得的新奇体验，意外的影展最佳之一

有些作品是拍给一部分人的一种记录，只有经历过的人才懂。但电影作为一种艺术，总会有可以跨越这种藩篱的东西，让哪怕没经历过的人也能体会和感动，就是这点还不够，有但少