比较有趣的一个点是：中国大陆在七十年代的时候，似乎性别平等问题要比美国好很多……毕竟「半边天」，意识形态在人力紧缺前提下超前了一把。

导演组真不容易，居然凑齐这么多不好玩的人

事实证明尽管蓝白红看海报就知道是很闷的片子但真用心去看还是能看下去的。片子从始到终的基调都太优伤，女主角表演固然是好，全片最让我开心就是借猫去捉老鼠那段了。个人觉得最后尽管是把房子给了外遇那位，女主角心里依然是没有摆脱悲伤，最后那段老人与新生的交替镜头也看不懂。另，音乐很美

The most intriguing part is not about Gerald Foos’s voyeurism, but his relationship with Gay Telessse. Their extremely trust each other for decades under the basis that they exploit each other: one is to get famous for his freaky act, the other one to reach another peak in his journalism career by the book about the story. Both failed.

很感人，很浪漫，只是有些情节不知道有什么价值，比如去参军打仗，还有那个军妓。还有结尾有点失望，我的理想结尾是诺亚每天不停的给艾莉重复讲着同样的故事，只为了唤醒她的回忆，哪怕只是几分钟，但依然愿意坚持不放弃~~