I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.

2012 69届威尼斯金狮 人性有多丑恶 爱就有多远大

都不大记得情节了，就记得傅艺伟被赞为第一美女神马的

我注定不能接受HIP-POP..... PSP

战争语境下的道德界限本就模糊，加上科学的变量就更容易让人动摇也更容易被人操纵。