印象主义和表现主义看多了都有点乏味，可以辅助叙事和表现，可以如果贯穿始终的搞这种，真的看得很没意思，这位女导演贡献了比男导演更细腻的印象主义

它的表演和摄影可能对于那个时代来说是先锋的，但是这种老电影应该怎么去评判啊，我也不是那个时代的人，看完只想睡，镜头和戏剧的较好展现勉强就三星水平吧，不知道打五星的怎么品味的，可能是我境界还不够🌝

徐若瑄的讲话让我完全的出戏.任达华尽管很卖力，但是掩饰不了剧情的苍白.一分是穿三点露了大半个白兔的徐若瑄

前面太无厘头了，后面终于进入状态开始吸引人了。At beginning, the hero found himself to be a loser after he accidently knew that his wife has an affair with his boss, then he became a desperate man with nothing to lose and got involved in a series of radiculous events including robbing his own firm as a revenge to his boss. However, he got survived from the hell when he knew that the affair was not true and his wife still loved him, then he needed to get his life back to normal. The feeling is so subtle that it rules your life completely. Your status being in paradise or hell depends on your feeling, of course a rational feeling. I am master of fate and ruler of destiny, from the black man.

作为律师看这个电影我只能说，这位律师没有错，因为法律之上还有良知，正如律师所言，被害人有道德污点不代表她可以被强奸！另外，片中三个神经质的女人真是太神经。最后，没想到你是这样的德尼罗。