20111118 16:00

Starts with the most formulaic and exhausted trope: the old accomplished cop on the verge of retiring dies, and his partner decides to take vengeance upon the villain responsible of his death. This one too is just as compliant to the standards & clicheys of the 80's hotcop: good heart but blamable methods. Dafoe's persona by contrast is appealing, esp. due to his (justified) artistic tendencies, a pretext for aesthetic interior settings - "Dance" by Matisse can be spotted during a fit of giggles. Later the storyline swerves off the beaten path with a couple of crushing failures for our cops, but not without good entertainment value (engaging car chase & final showdown). Good epilogue as well

很溫馨的感動，要好好對自己的老婆喲👀 轉場的時候會很可愛的使用淡入淡出，場面調度非常有意思，長鏡頭特別乾淨，銜接也很自然，最喜歡船上煙霧那段的氛圍。 後悔沒有早點看到，溝口處處體現對女性的關懷，特別是最後妻子獨白淡淡的憂傷中透露出可愛和期待，啊我死了…

越往后还有点意思。但总体还是太过悬浮，剧情不真实，戏剧化的表演方式太过了。抛却那些演出来的咋咋呼呼，单单就拿课堂举例吧，每次课堂上，主角们都旁若无人式的肆意高声演自己的剧情，就非常假。

如果以海迷的角度来看，这部剧场版的故事也和前几部大致类似，噱头是香克斯第一次登上大荧幕，且携一女儿。但作为日音评论员来看，那么这部剧场版简直就是为ado量身定做，乌塔的设定和ado很相似，国中时期老师觉得ado沟通有问题，和乌塔一样她很孤独。NicoNico就像是偶然捡到电话虫的乌塔，ado开始让全世界的人听到她歌声，高中时期以出道单曲<烦死了>唱出广大社会人的心声，仿佛是救赎般的展开等等。不过电影院中亲耳聆听ado的歌声，其实还是有被震撼到的。