成功的失意人和失败的失意人相互救赎的故事，题材有点老，范伟老师加一星。

看完之后惊为天人的电影 群戏调度的教科书 充满想象力的各种设定 利用错位和巧合制作的冷幽默 这部电影没有主角 或者说人人都是主角 浮生百态、钢筋水泥、人情冷暖 换个角度看 原来也可以是童话可以是梦幻 人生亦是如此

比想象中好。唯一的问题：为什么所有北京延时镜头都没出现中国尊？

I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.

高晓攀的相声都一般般，更别提他的电影了，烂片，一星都多！所有的搞笑桥段和情节都是那么俗套，折射出主创要么压根就没才华，要么就是江郎才尽，表演上也是乏善可陈。实在是拿观众当傻子。